All Jacopo Amigoni's oil paintings

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68500

Amigoni Bildnis einer Dame

Bildnis einer Dame als Diana, Leinwand, 128 ?? 94 cm, Berlin, Staatliche Museen

67771

Barbara de Braganza

1750(1750) Oil painting

70836

Bildnis einer Dame als Diana

128 x 94 cm,

77974

Carlo Broschi, Farinelli

Date between 1750(1750) and 1752(1752) Medium Oil on canvas Dimensions Width: 61 cm (24 in). Height: 82 cm (32.3 in). cyf

67639

Full resolution

Full resolution‎ (772 X 880 pixels, file size: 110 KB, MIME type: image/jpeg) Juno Receiving the Head of Argos

78867

Jacopo Amigoni, infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amade

infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amade

Maria Antonietta of Spain (1729-1785), infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amadeus III of Sardinia. Deutsch: de:Maria Antonia von Spanien (1729-1785), Königin von Piemont-Sardinien, Infantin von Spanien, jxngste Tochter des spanischen Königs Philipp V. und dessen Gemahlin de:Elisabetta Farnese. Frau von König Viktor Amadeus II. (Sardinien-Piemont) (Herzog Viktor Amadeus III von Savoyen). Français : Marie Antoinette infante d'Espagne (1729-1785), reine de Sardaigne-Pixmont, duchesse de Savoie, fille de roi Philippe V d'Espagne, femme de Victor-Amxdxe III de Savoie. Español: es:Marxa Antonieta de España Magyar: Mxria Antonietta spanyol infxnsnő (1729-1785), szxrd-piemionti kirxlynx, savoyai hercegnx, V. Fxlöp spanyol kirxly xs Farnese Erzsxbet legkisebb lexnya, I. Viktor Amadx szxrd-piemonti kirxly (II. Viktor Amadx sayvoai herceg) felesxge. Polski: pl:Maria Antonia Burbon ca. 1750(1750) Oil on canvas cjr

28069

Joseph in Pharaob's Palace

mk61 Oil on canvas 325x283cm

3242

Juno Receives the Head of Argus

c1730 Moor Park, Rickmansworth

58203

Juno Receiving the Head of Argos

Juno Receiving the Head of Argos (1730-32) Oil on canvas, 108 x 72 cm. Moor Park, Rickmansworth, Hertfordshire.

77007

Juno Receiving the Head of Argos

Date between 1730(1730) and 1732(1732) Medium Oil on canvas cyf

29053

Jupiter and Callisto

mk65 Oil on canvas 24 1/2x30"

81689

Maria Antonietta of Spain

1750(1750) Medium Oil on canvas cyf

70121

Marquis of Ensenada

Medium Oil painting Dimensions 104 x 124 cm

76919

Portrait of a Gentlemen in Blue Jacket

1st half of 18th century Oil on canvas 102 cm (40.2 in). Height: 127 cm (50 in). cjr

80702

Portrait of a Lady

1st half of 18th century Medium Oil on canvas cyf

80148

Portrait of Barbara de Braganza

Date 1750(1750) Medium Oil cyf

78290

Portrait of Caroline Wilhelmina of Brandenburg-Ansbach

1735(1735) Medium Oil on canvas Dimensions 2,439 x 1,524 cm (960.2 x 600 in) cyf

96771

Portrait of Maria Anna of Sulzbach

circa 1740(1740) Medium oil on canvas cyf

80153

Portrait of Marquis of Ensenada

1750(1750) Oil on canvas 104 x 124 cm cjr

84060

Portrait of Marquis of Ensenada

1750(1750) Medium Oil on canvas Dimensions 104 x 124 cm cyf

82760

Portrait of the Infanta Maria Antonia Fernanda

1750(1750) Medium Oil on canvas cyf

98112

Princess Royal and Princess of Orange

1736(1736) Medium oil cyf

32585

Recreation by our Gallery

mk79

28684

The Finding of Joseph's Cup in Benjamin's Bag

mk61 c.1748 Oil on cnavas 281x355cm

67624

Venus and Adonis

c. 1740 Oil on canvas 45 X 75 cm (17.72 X 29.53 in)

67638

Venus and Adonis

Technique Oil on canvas Dimensions 45 X 75 cm (17.72 X 29.53 in)

69984

Venus and Adonis

Medium Oil on canvas Dimensions 045 X 75 cm

77962

Venus and Adonis

Date ca. 1740(1740) Medium Oil on canvas cyf

83237

Venus and Adonis

Date first half of 18th century Medium Oil on canvas Dimensions Height: 142 cm (55.9 in). Width: 173 cm (68.1 in). cjr

87314

Venus and Adonis

first half of 18th century Medium Oil on canvas cyf

Jacopo Amigoni

1685-1752 Italian Jacopo Amigoni Galleries He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available. From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher. In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.

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